The Tune All of the production decisions for this song flowed from the song itself. It was written about a man close to us who is an extremely talented actor, writer and artist. Yet he is completely lost and has made a mess of his life. He's 65 years old living alone in an RV on the streets of LA digging ditches by day so he can try to land a role on a soap opera. So, emotionally, this song comes from the frustration, anger and compassion that arises from seeing someone like that, someone you love, just throw it all away and not want any help. You just want to shake them and say "Wake Up!" Production-wise, we knew we wanted the song to be noisy, loud, aggressive and musical. We were going for a sort of Sergeant Pepper-meets-Tori Amos vibe, which is kind of what the song sounds like. It's got Beatles-influenced 7th chords, vocal harmonies and a piano that follows the bass line. But it's also got strong, dark lyrics and some serious attitude.

The Drums Following the pre-production roughs...

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The Guitars The main guitar riff was played on a 1969 Les Paul through a Marshall Valvestate ½ stack. However, in order to get an extra level of overdrive it went through a Roland GP-100 before it got to the Marshall. This guitar was doubled mic'd in an 9'x6' iso booth with an SM58 on the cabinet and an E-200 in the room about 7' away. The big dirty 7th chords on the outro of the song were tripled to really make them huge in the stereo spectrum. To add a new and complimentary layer to the chorus a clean guitar was added here (and on the bridge). This was a Carvin DC-135 played through an Ampeg Superjet combo amp and using a Sovtek Small Stone (phaser) stomp box. One SM58 right up on the grille. The third guitar plays a triplet figure on the choruses. It's really just one big distorted chord strummed and I played the volume knob so it would sort of "swell" rhythmically. It seemed to really give the chorus some impact when it first comes in. Also recorded with one SM58 right up on the grille of the...

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