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by Rip Rowan The seminal article blasting the modern mastering industry for singlehandly destroying a generation of great music.
the Spirit of Radio?
by Bill Park A scathing indictment of the megalithic entertainment conglomerate Clear Channel and its devastating effect on music and the people who make it.
Debra Soule
by Rip Rowan Building a mix from the ground up with Debra Soule's "Everlasting".
by Bill Park A comprehensive explanation of the wholesale changes in the radio industry stemming from the 1996 Telecom Act. | | | | | | | |
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Rip Rowan
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The Bellari RP533 is a tube-based mic preamp featuring compression and exciter circuits.
Like other units in Bellari's line of tube products, the RP533 is built into a two rack space enclosure with an "antiqued" gold front panel, utilitarian black knobs, and lighted analog meter.
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Rip Rowan
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If 1998 was the year of the large-diaphragm condenser mic, then 1999 was the year of the multi-function mic preamp. Companies are bundling tons of features into these new units, vying for the premium position in your gear rack.
But do these units perform? Is there really any benefit to be gained by these units, often costing as much as a small studio mixing console with 8 or more mic preamps? How important is it to have tons of features in a unit designed to facilitate tracking? And, more importantly, is it really possible to pack all those features into a $600 unit?
I set out to answer these questions and arrived at some interesting conclusions.
I reviewed five mic preamps in the under-$1000 price range.
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Bruce Richardson
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There are a couple of orchestral libraries, both by EastWest, that don't really fit the mold of the traditional sample library.Scoring Tools and Symphonic Adventures provide users with a set of fully orchestrated phrase components that can be used in loops, or cobbled together into larger structures.
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Bruce Richardson
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Peter Siedlaczek's Advanced Orchestra for GigaSampler (distributed in the US by EastWest) may well be the most-used set of orchestral samples on the planet. Thanks to its wide-ranging palette and reasonable asking price, this is a product that easily qualifies for ProRec's more-for-less club.
Burned onto a five-CD collection, you'll find an extensive set of samples (5455 to be exact) covering the instrumentation of the modern large orchestra.
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Bruce Richardson
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I've got to admit, there's a couple of things that made this particular review meaningful to me.
One was testing these samples in a real-world situation, rather than just casually playing through them.
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Rip Rowan
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The Joemeek VC6Q is a one rack space unit that includes a mic preamplifier, optical compressor, and three-band EQ.
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Bob Lichty
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"What a waste" and "what a shame" are two phrases I've heard a lot lately.
My father, John Lichty, after 20 clean and sober years, decided to fall off the wagon a few years back. Despite the best efforts of a family who has, quite frankly, seen enough alcohol related problems to fill an entire season of "The Young and the Restless", he has been unrelenting in his pursuit of distilled spirits.
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ProRec Editorial Staff
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Nullsoft Winamp is a fast, flexible, high-fidelity freeware music player for Windows 95/98/NT. Winamp supports MP3, CD, WMA, Audiosoft, Mjuice, MOD, WAV and other audio formats, custom appearances called skins and audio visualization and audio effect plug-ins.
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ProRec Editorial Staff
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Sound Forge 4.5 is professional sound editing software for Windows that includes an extensive set of audio processes, tools, and effects for manipulating audio. Combine Sound Forge 4.5 with any Windows-compatible sound card to create, record, edit, and refine audio files. The clean interface and familiar Windows environment make editing fast and easy.
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ProRec Editorial Staff
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ACID PRO 2.0 is a revolutionary loop-based music production tool that offers musicians unprecedented creative flexibility. ACID PRO 2.0 allows you to preview any loop before adding it to your mix, automatically matching the tempo and key in real time. Click-and-drag to easily add or delete loops. ACID PRO 2.0 allows real-time changes to pitch and tempo to unlimited tracks. Control the volume, pan, and effect envelopes for each track to create a perfect mix between loops.
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