Classics

Over the Limit

The seminal article blasting the modern mastering industry for singlehandly destroying a generation of great music.


Greed and Power

A scathing indictment of the megalithic entertainment conglomerate Clear Channel and its devastating effect on music and the people who make it.


Point-to-Point III

Building a mix from the ground up with Debra Soule's "Everlasting".


Radio, Radio

A comprehensive explanation of the wholesale changes in the radio industry stemming from the 1996 Telecom Act.

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Recent Articles

The Sound of the Longhairs

Rip Rowan
I remember the first synthesizer I ever played. It was a Roland Juno 106.

Many of you are already guessing my age. You're right.

The Juno 106 was one of the first affordable programmable synthesizers for the masses.
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All Things Being EQ-ual, pt. 2

Lionel Dumond

Part Two: Whatchoo Talkin' 'Bout, Lionel?

Welcome back! As you will recall, in Part One of this article, I introduced this discussion of EQ on a mainly conceptual level, and gave an example of the most common role of EQ in modern pop recording -- as a tool to separate timbres across the frequency spectrum in a multitrack mix.
Comments (1)

"If It's 4:30, This Must Be An Earthquake"

Ted Perlman
Most songwriters tend to think the world revolves around such global-impacting issues as:

1. Will Ms. Big-Big-Big Star record one of my songs on her next album?

2. Will Mr. Big-Big-Bigger Star record one of my songs on his next album?

These questions are with them, morning, noon and night.
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The Tech 21 SansAmp Bass Driver DI

Joel Braverman
I was tired of turning up the inputs on my mixer to record my hiss, um, I mean my Bass guitar and decided it was time to get a direct box. I didn't know what to get, so I asked the folks who made my bass - Warrior Instruments (http://www.warrior-w1.com) what to get - they recommended the Bass Driver DI.
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Mister Analog's Attic

Philip Cody
I have an eight-track tape of Frankie Valli and the Four Seasons. It's in a box, in my attic, nestled among other mementos of my analog life ... a trumpet mouthpiece, a wire recording of Gene Krupa's big band that my uncle made in the early Fifties, a small, leather pouch with three New York subway tokens from when tokens were a quarter, an empty pack of Lucky Strikes ...
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Virtual Memory Optimization

Jose-Maria Catena
Recording audio on a computer places demands on the computer never anticipated by the computer's creators or operating system manufacturers.

For example, if you record on a large disk formatted with FAT32 in Windows 95, Windows will format the disk with small block sizes.
Comments (1)

All Things Being EQ-ual, pt. 1

Lionel Dumond
Part 1: eQs and As

As the competent and conscientious recording engineer that you surely are, you've taken great care to record your (or your client's) latest opus.
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Starship Enterprise on a Budget

Rip Rowan
One of the worst aspects of running a studio on a computer is the lack of a console.

I really miss being able to just reach out and grab a knob and turn. And I'm not alone. The recent drop in DAW (Digital Audio Workstation) prices means that lots of people are taking the home studio plunge.
Comments (1)

Yamaha DSP Factory

Jim Roseberry
One of the most exciting products to make headlines recently is the Yamaha DSP Factory DS2416.

The Yamaha DS2416 offers the mixing power of the Yamaha 02R digital mixer, complete with 24 channels of digital mixing, on-board digital effects and dynamics processors -- along with everything else professionals need - plus 16 tracks of hard disk recording with up to 32 bit resolution.
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Behringer Composer

Joel Braverman
I've been using the Behringer Composer for a few weeks and so far I'm very happy with it. The cost is low ($250) yet the unit is very transparent, with fast gate response.

The Composer is a dual-channel compressor / expander, noise gate, and peak limiter.
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The Analog Zone

Philip Cody
It's Friday afternoon. You're home by yourself . . . as usual. The UPS guy has just dropped off a three by five foot box of God-knows-what. The return address on the shipping label reads "SteinWalk On-Line Entertainment." You scratch your foggy noggin, trying to remember what you might have ordered that could possibly be so big.
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Mister Analog Goes to NAMM

Philip Cody
I got into this year's NAMM convention courtesy of Celia Biggs, who works at SONY up here in Eugene. Celia's an attractive, middle-aged woman who lives a couple of houses down from me. She gave me a pass to this NAMM thing, saying how she thought it might help to expand my horizons.
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