ProRec > Home

	Login RegisterMonday, March 15, 2010
	Home Articles Archives Discussions News Events Contact Us

Classics

Over the Limit

The seminal article blasting the modern mastering industry for singlehandly destroying a generation of great music.

A scathing indictment of the megalithic entertainment conglomerate Clear Channel and its devastating effect on music and the people who make it.

Building a mix from the ground up with the Old 97's "Blame it on Gravity".

A comprehensive explanation of the wholesale changes in the radio industry stemming from the 1996 Telecom Act.

Join the Team

Do you love recording? Can you write? Then you can join the ProRec staff and share your contributions with the world!

Click here to find out more.

Recent Articles

Sonic Makeover Bruce Richardson
After a Fung Shui makeover for my studio, things sounded bad. Velly bad. My seven year old Sonex, besides being butt-ugly and crumbling into dust, was hardly up to the task of controlling my now pristine and reflective surroundings.
Comments (0)	More...

Sonitus:fx R3 Rip Rowan
Every so often a product comes around that justifies a real rave. The Sonitus:fx R3 plug-in package is a perfect example of a product that I just have to praise loudly. Sonitus:fx is a PC-based (DirectX and VST) plug-in bundle that offers a very usable assortment of innovative and practical plug-ins at a value-conscious price.
Comments (2)	More...

Sony, Such Baloney Bill Park
So, I've been tied up a while, and not as available or hanging around as much as usual. I've been both on the road sporadically, and swamped with work. Now this has never stopped me from participating on line before, so what has been the problem for the last few months? After all, all the hotels and venues are wired… I've had a nice little Sony 505HS for a few years now.
Comments (2)	More...

Aardvark Direct Pro Q10 Rip Rowan
The Aardvark Direct Pro Q10 is a 10-input / 10-output 24 bit PCI combination preamp and soundcard for Windows and Mac. The system features 8 balanced audio inputs and outputs, MIDI I/O, and S/PDIF I/O on RCA jacks.
Comments (1)	More...

Raxxess Big Apple Bill Park
Okay, so you know that I have just got the new studio to the point where I can start to put gear into it. I'm chomping at the bit (heh heh, bit…. What, you aren't going to byte on that one?) to get some recording done.
Comments (0)	More...

Waves Native Gold Bundle 3.2 featuring PACE Interlok Rip Rowan
I was asked last year to review the new 3.0 version of Waves Native Gold Bundle. Anyone familiar with my work knows that I am a vehement advocate of Waves' products, and have used Waves tools on virtually every project I have ever done for the last five years.
Comments (10)	More...

Using SoundFonts With a Sound Card in SONAR Ethan Winer
Although Sonar supports DXi software samplers, many musicians still prefer using a SoundBlaster Live or Audigy sound card for SoundFonts. Playing SoundFonts through a sound card's hardware has several advantages over using a software synthesizer: There's no burden on the computer's CPU, the response time (latency) is immediate, and it's one less plug-in to fiddle with.
Comments (1)	More...

ProRec Interviews Gantt Kushner Tatiana Nu
Gantt Kushner is owner and recording engineer of Gizmo Recording Company in Silver Spring MD. For the past 14 years Gizmo has recorded many artists local to the Washington DC area, among them Al Williams, Junior Cline and the Recliners, Dan Reynolds, O.A.R., Quintango and many more.
Comments (2)	More...

Page 8 of 37

First Previous 3 4 5 6 7 [8] 9 10 11 12 Next Last

News